![]() ![]() Not least the preludial opening movement, its stark alternation of quick-fire chords and silence evolving into aspiring melodic lines as build to a tumultuous if quickly curtailed climax, though this linear aspect comes to dominate the nocturnal central movement with its expressive intensifications then fades against a backdrop of bell resonance and luminously modal polyphony. Inspired by Josef Sudek’s photographs of Prague while utilizing two medieval Czech hymns, Prague Panoramas (might Prague Pictures be even more apposite?) is typical in its fusing evocativeness with precision. Reviewed by Richard Whitehouse Photo (c) Chris ChristodoulouĪn unusually well-assembled concert this evening with what might be termed a programme of ‘three-by-threes’ – each of these three works having three movements which, in each case, results in a broadly symmetrical design, not least the Second Symphony by Julian Anderson (with the conductor, below). Rachmaninoff Symphonic Dances Op.45 (1940) ![]() ![]() Martinů Concerto for Two Pianos and Orchestra H292 (1943) 2 ‘Prague Panoramas’ (2020-22) (BBC co-commission: World premiere of complete work) Prom 26 – Katia and Marielle Labèque (pianos), BBC Symphony Orchestra / Semyon Bychkov (above)Īnderson Symphony No. ![]()
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